From the Archives

A Woman’s Voice (Wonder Woman)

Jessica Getman explores the music of Wonder Woman (2017)

Maestro Armstrong introduces the sonic and stylistic features of Irene Britton Smith’s and Julia Perry’s music.

There is much to think through in regards to the past and future tenses of Hill's “Ex-Factor.”

How did musicology change to the point that we now feel compelled to distinguish “public musicology” from . . . what?

Dwandalyn R. Reece reflects upon her experience in the public sector.

So, there’s a global pandemic, and you need to teach online! Ack!