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Recent Opportunities

Browse recently posted opportunities

  • The Opera Journal

    Call for Submissions
    Call for SubmissionsPublications

    • The Opera Journal
    • United States
    • Closes: April 1, 2026

  • North American British Music Studies Association

    Linda Shaver-Gleason Awards 2026
    Funding and Honors

    • North American British Music Studies Association
    • United States
    • Closes: March 27, 2026

  • Royal Northern College of Music

    Call for Expressions of Interest – British Academy International Fellowships at the Royal Northern College of Music
    Fellowships and Scholarships

    • Royal Northern College of Music
    • United Kingdom
    • Closes: February 17, 2026

  • Library of Congress Music Division

    Annegret Fauser and Tim Carter Fellowship in the Library of Congress Music Division
    Fellowships and Scholarships

    • Library of Congress Music Division
    • United States
    • Closes: February 15, 2026
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Field Notes

For music studies professionals

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News Roundup – January 2026

Monthly news roundup for January 2026.
Blue and ivory poster that says Ben Hador composed and arranged by Perlmutter and Wohl

JAMS Interview: Reconsidering the Yiddish Operetta

Ruthie Abeliovich and Daniela Smolov Levy discuss their cowritten JAMS article.

Recent Posts

Portraits of Josquin and Emilie Mayer

JAMS Interviews: On Josquin and the German Symphony

Jake Johnson
Joanne Cormac and Benjamin Ory reflect on their JAMS articles.
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What If You Just Want a Nice Life?

Stacy Hartman
Dr. Stacy Hartman reflects on the problem of “acceptable” career alternatives.
Mark Evan Bonds and Gurminder K. Bhogal

Mark Evan Bonds on Music’s Fourth Wall

Mark Evan Bonds and Gurminder K. Bhogal
Mark Bonds speaks about his new book on reflective listening.

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Featured Videos

This workshop, conducted by Grammy-nominated audio engineer, Jasmine Chen, explores the main tools that musicians and audio engineers use to make contemporary recordings.

In this AMS President’s Plenary Lecture, Suzanne Cusick, discusses her struggle to find reparative positions from which to do intellectual work amid the swirling tangle of public and disciplinary anxieties.