The Archival Impulse: Textures of Reality in the Arts
Sunday 6th December 2026, University of Western Australia
Over 20 years after Hal Foster observed an ‘archival impulse’ in contemporary art, the desire to incorporate archival material into practices across the arts has only strengthened. The artistic deployment of sketches or notes, audio or textual fragments of eyewitness testimony, historical video footage, found sounds and found objects, photographs, and other materials sourced from archives, often speaks to a desire to recover the texture of reality, or to press against notions of originality, authorship, and truth. Today there may be an additional urgency behind the archival impulse—a sense in which the unprecedented flattening out of fact and fiction (a key pillar of the representational regime) requires some kind of archive-driven aesthetic response.
We invite papers for a study day exploring recent and historical tendencies in the ‘archival impulse’ across the arts, as well as within and about the practice of archiving, to assess the renewed implications of the archival impulse in our so-called ‘post-truth’ and AI-saturated context.
Possible topics might includes (but are not limited to):
• The relationship between the archival impulse and traditions of realism, actuality, or verisimilitude
• Archives and the idea of reality and representation
• AI and the archive
• The archive of the internet
• The use of pre-existing media as raw material for artworks
• Docu-genres (eg. docu-drama, docu-opera, mockumentary, infotainment)
• Archival textures, objects, and materialities
There are two options for papers:
1.) Standard Paper: 20-minute presentation, plus 10 mins for question; or
2.) Position Paper + Discussion: 10-minute position paper, plus 20 mins for discussion of a set reading
Please send a 250 word abstract for your proposed paper (and if presenting a position paper please also identify a reading for discussion) to sarah.collins@uwa.edu.au and cecilia.sun@uwa.edu.au by 31st Aug. 2026.
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