BACH: Journal of the Riemenschneider Bach Institute is pleased to announce the publication of volume 57, no. 2
Special Issue: Seeing Bach
Co-Edited by Erinn E. Knyt and Christina Fuhrmann
Following the Prelude: Visual, Sonic, and Structural Interactions
in Koka Nikoladze’s How Things Fall (2021)
RAM REUVEN
Seeing Combinations: Sol LeWitt and Visual Modes of Expression
in the Music of Johann Sebastian Bach 219
EDWARD GOLLIN
Post-Secularism and Presentism in Hugo Niebeling’s St. John
Passion Film: Es wäre gut, daß ein Mensch würde umbracht für
das Volk (1991)
JEROEN VAN GESSEL
Dona nobis pacem (?): John Neumeier’s Choreomusical
Translation of Johann Sebastian Bach’s Mass in B Minor
EFTYCHIA PAPANIKOLAOU
Reviews
Bach: The Cello Suites by Edward Klorman
Review by DAVID STARKWEATHER
Bach’s Church Cantatas by Ruth Tatlow
Review by ANDREAS LOEWE
Lutheran Music and the Thirty Years War: Confession,
Politics, Devotion by Derek L. Stauff
Review by CHIARA BERTOGLIO
The Making of European Music in the Long Eighteenth
Century by D. R. M. Irving
Review by YI CHING (KEVIN) TAM
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